After the release of hostages in Lebanon, the character was co-opted by conservatives when Ronald Reagan joked: “Boy, I saw Rambo last night now I know what to do next time.” Sylvester Stallone acknowledges this as the moment Rambo became a “banner boy for jingoistic nationalism and American aggression.” But Rambo doesn’t represent jingoism - he’s its victim, a casualty of war. Misunderstood by those in his fictional universe and misunderstood by us, he’s been reduced to an inelegant metaphor for U.S. He exits with his winnings and gives it to the Buddhist monks who wait for him to return to the monastery. In spite of incitement from bloodthirsty spectators, he doesn’t deal the fatal blow instead, he offers his hand. In a Bangkok warehouse, a man defeats his opponent in an underground stick fight.
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